Tuesday, June 12, 2012

Secret History or A Fisherman's Tale?



The BBC's 'Secret History of Our Streets' programme about Deptford has been much commented on. Crosswhatfields? points out that much of the ground was covered by Jess Steele in her 1993 book Turning The Tide, The History of Everyday Deptford. (Available via Amazon or any good library).The Deptford Dame pointed out that far from being the history of Deptford High Street, it was the history of Reginald Road. I do not accept that it was 'history' in any credible sense of the word. It is well worth reading the comments on both blogs.

It is not unfair to characterise the story told by John Bullman and Century Films as:

Settled white working class area full of salt of the earth types earning an honest crust destroyed and dispersed by nasty middle class Cholmonderly-Warner types who then shipped in people who have to be sub-titled on television because of their skin colour.

The reality is somewhat different.

Church records show Black and Asian people being baptised in Deptford in the first half of the 18th

Century. Anthony Black 'an Indian from Madras' was baptised in St Nicholas Deptford on 28 January 1704.The Deptford St Paul Baptism register records on 17 April 1737:
     "John S[on] of John Greenwich (Negro) Joyner Butt Lane"
The father may well be the same John Greenwich who was apprenticed to Deptford Joiner John Berry in 1730.

The Continuing Search for Black, Asian and Non European People in Early Modern Kent (pdf) contains details of many more baptisms, marriages and burials.

In the 19th Century waves of Irish, Italian, but particulary German immigrants settled in Deptford. After World War I locals with German names anglicised them. William Albert Schultz who had twice been Mayor of Deptford became William Albert Scott.

Bomb damage
During World War II Deptford not only suffered during the Blitz, but was on the receiving of Hitler's V1
Flying Bombs and V2 Rockets: SE8 SE14 The makers of Secret History remarked on how the High Street emerged from the war unscathed, but glossed over the extent of damage in surrounding streets. After the war the Attlee government introduced rent controls to stop private landlords cashing in on the housing shortage. The rent controls made it uneconomic for the big insurance firms such as the Prudential to continue to be residential landlords. In Deptford the Evelyn family sold the housing between Evelyn Street, Edward Street, the railway and Abinger Grove to the council in 1963.

Research
Last weeks programme told us that the Price and Ovenell families owned many of the houses in Reginald Road and gave viewers the 'impression' that the houses had been bought with the income from 2 or 3 market stalls. The programme makers' idea of research was apparently sending an assistant producer to the London Metropolitan Archives to 'discover' records extensively referred to by Jess Steele  nearly twenty years ago. If they had employed a competent researcher they might have discovered a more likely source of family wealth. A basic, perhaps the most basic of all, research tool for anybody researching London in the last 200 years is 'The Times' Digital Archive 1795 - 1985. Search for Reginald Road Deptford and this pops up: 
Art Thefts Organised
A judge at the Central Criminal Court was told yesterday that there appeared to be a highly organised group, possibly of several gangs stealing valuable paintings in England.

Earlier Judge Edward Clarke, QC had sentenced two people to three years' imprisonment after they had been convicted of dishonestly handling a Watteau painting "Les Noces" valued at £150,000. They were Joseph Edward Tyrell, aged 45, builder, of Conduit Road, Plumstead, SE, and Pamela Doreen Price, aged 39, a stallholder of Reginald Road, Deptford, SE.

The judge told them: "This sort of offence must be discouraged...whether the people who take part are rich and unscrupulous art dealers or people who form the necessary link in the chain of disposing of property of this enormous value."

On the direction of the judge, the jury found Mr Tyrrell and Mrs Price Not Guilty of burglariously entering Sir John Soane's Museum in Lincoln's Inn Fields, Holburn, and stealing the painting.

Detective-sergeant Hill said an organised attempt was made to steal the painting and pass it on for export.

In reply to the judge, Sergeant Hill said: "Inquiries in the last 18 months indicate it is not just the work of one highly organised gang but possibly of several gangs. The whole operation appears to be highly organized."

The prosecution said in a statement Mr Tyrrell was alleged to have said that Mrs Price had asked him to help her dispose of the painting.

The Times, Thursday, Dec 18, 1969; pg. 4; Issue 57746; col E


Film Research
One of the most irritating aspects of the programme was the extensive use of stock footage, that had nothing to do with Deptford. Good Film Reseacher will find footage of just about every town and city in the UK from any decade in the last 100 years. Any professional film researcher would have pointed the programme makers in the direction of the 1972 Children's Film Foundation production Hide and Seek starring Gary Kemp. The script and the acting may be a bit naff, but it was shot on location in Deptford and shows the extraordinary extent of demolition in a way that The Secret History Of Our Streets completely failed to do. It is available on DVD from Amazon.com for $9.99 + shippin.



The Director of the programme told Broadcast Magazine that "We wanted these films to be a Who Do You Think You Are? for a street – but without the celebrities." Mr Bullman apparently fails to comprehend that Who Do You Think You Are? is based upon a solid base of professional research. 

UPDATE: 9.40pm 13 June 2012

The Guardian has published a letter from Nick Taylor's son explaining how his father was stitched up by the programme.




Monday, June 11, 2012

Anthony Black: 'An Indian born at Madras'



Towards the end of the 18th Century the burial registers of Deptford St Nicholas contain a number of entries where the deceased is decribed as 'A Lascar from a Ship'. Lascars, in this context, were Indian sailors employed on British Ships.

Perusing the Baptism registers for the beginning of the 18th Century, I came across this entry dated 28 January 1704 for Anthony Black:

Anth. Black being an Indian born at Maddaras bapt in ?? Church


Anthony Black is unlikely to have been the first non-white in Deptford, but he the earliest that I have found recorded, so far.

Friday, June 8, 2012

Sexy Fish


Dawn Lyon and Les Back have written an excellent little paper Fishmongers in a Global Economy: Craft and Social Relations on a London Market. The full abstract is below, but basically they contrast two Deptford High Street fishmongers Charlie, a white Londoner whose family has been in the fish business for over 100 years, with Khalid, an immigrant from Kashmir, who, even without the tacit knowledge of generations at his fingertips, has successfully found a place for himself in the local and global economy of fish.

"Fingers are like knives and knives are the extension of fingers." There is a realisation that preparing fish, like many manual tasks, depends not just on a set of actions related to size, weight etc., but that feel is important. I am reminded of visiting Chris Cary's Collections where second hand clothes are sorted by staff who know largely by feel what material a garment is made.

The language tends towards sociology-speak, the 'hover mouse over image for sound' does not work in Chrome or Firefox, but it is well worth a read. Many thanks to SociologyGoldsmiths @SociologyGold without whose tweet the article who have simply disappeared into the usual sociology black hole.
-o-o-o-o-


Fishmongers in a Global Economy: Craft and Social Relations on a London Market

by Dawn Lyon and Les Back
University of Kent; Goldsmiths, University of London

Sociological Research Online, 17 (2) 23
http://www.socresonline.org.uk/17/2/23.html
10.5153/sro.2692

Received: 1 Feb 2012     Accepted: 5 Apr 2012    Published: 31 May 2012

Abstract

This article is based on multi-sensory ethnographic research into fishmongers on a south London market, the setting for a specific topography of work. We contrast Charlie, a white Londoner whose family has been in the fish business for over 100 years, with Khalid, an immigrant from Kashmir, who, even without the tacit knowledge of generations at his fingertips, has successfully found a place for himself in the local and global economy of fish. The research pays attention to the everyday forms of work that take place when the fishmongers sell to the public. We use these two very different cases to explore what constitutes work and labour and the different sensibilities that these two men bring to their trade. Drawing on observations, photography and sound recordings, the paper also represents the fishmongers at work. We take the two cases in turn to discuss learning the trade and the craft of fishmongering, the social relations of the market, and the art of buying and selling fish. More generally, the article explores how global connections are threaded through the local economy within a landscape of increasing cultural and racial diversity. It also critically discusses the gain of the visual as well as the aural for generating insights into and representing the sensuous quality of labour as an embodied practice.








Wednesday, June 6, 2012

Secret History of our Streets - Preview





John Price tells stories about his early family life and describes how the streets of Deptford have changed. The market is now a road, his Nan's house is now a footpath and the crabs have become smaller, but no surprise that Harry Hayward manages to sneak into shot. Click on fullscreen to get the whole width.

Tuesday, June 5, 2012

124 Deptford High Street


The 124 Deptford High Street development is due to have its launch in about 10 day. The developer's website exhorts us to LIVE COOL, EAT WELL, HANG OUT etc. The development is not without its critics among them the Deptford Dame and Crosswhatfields? .



Two matters that have not been mentioned, either by the developers or the critics, are the construction methods or the history of the site.

Viewed across the remains of the old Deptford Station
Construction
The 1970s Job Centre that was on the site was not completely demolished. The foundations and much of the original structural steel was left in place with new steel attached to old to provide the framework of the new larger building on the site. This means that far less energy (therefore much lower Carbon Dioxide emissions) was used in erecting the new building than in conventional construction. Sadly this does not seem to be a selling point for the development and does not find its way onto the developer's website or their sales brochure. Hopefully at least a summary of the structural engineering and some photos from the end of the demolition / de-construction phase will find their way into Lewisham Local History Library.

Site History
124 Deptford High Street (actually 122 & 124) is best known locally as the site of the Deptford Job Centre that closed in November 2010, above which was a solicitors and then an African church. The job centre was followed by the short-lived Social Centre Plus


Before the Job Centre was built around 40 years ago it was the site of Deptford Congregational Church. Originally known as Butt Lane Independent in 1702 the Meeting House was rebuilt in 1756 and replaced by a large chapel in 1862. (Butt Lane was renamed High Street in the 1820s)

The Deptford Congregational Church on Deptford High Street originated in a meeting house of 1702. This was rebuilt in 1756 and then was replaced by a large chapel in 1862. The church closed in 1969. 


A stunning Communion Cup, below, made by City of London silversmith Jonathan Madden was presented to the Church by an E. Swallow in 1708. This two-handed cup is on display at the Victoria and Albert Museum, located at Sacred Silver & Stained Glass, room 83, case 6C.


© Victoria and Albert Museum, London

Saturday, June 2, 2012

More Popery

Some more photos of Pete Pope (4 Aug 1949 - 11 May 2012)  The funeral is on 15 June, fuller details here


Pete and an admirer, 
Dog and Bell July 2010
thanks to Colin Bodiam

The Five Bearded Wonders, 
 Dog and Bell July 2010
thanks to Jill Sull


Three bearded Wonders,

Extreme Picnicking, Christmas Day 2005
in front of the Peter the Great Statue.
Thanks to Sam and Piv.

Friday, June 1, 2012

The Odyssey


Teatro Vivo
in association with The Albany

present


The Odyssey

A theatrical adventure on the streets of Deptford. 
Help Telemachus find what has happened to his father.
Directed by Sophie Austin
Written by Vic Bryson, Sarah Sigal and Michael Wagg.


A promenade performance that takes the audience on a man hunt down seemingly normal high streets and into the heart of this classic story.

Help Telemachus find news of his father and experience an epic adventure.

Telemachus has invited you to join him at his Father’s house. Only his war hero father is not there, he’s been missing for the last ten years.

Desperate to discover the truth, Telemachus asks you, the audience, to go on your own Odyssey and bring back news of wily Odysseus. On your journey you may come across gods and goddesses, nymphs and monsters, death and desire when an everyday high street becomes the back drop to some bizarre and brilliant stories.

Expect a journey into the unknown, dress for the weather and let the adventure begin...

Teatro Vivo specialise in collaborating with public spaces to tell classic stories to new audiences, and we’ve been inspired to explore this epic tale.

For the Odyssey, audiences will be led from Odysseus and Penelope's home to find and interact with various characters and situations around Deptford. Along the way they will find travelling bards and story tellers from our community chorus as we explore the contemporary relevance of this ancient poem.

Directed by Sophie Austin
Written by Vic Bryson, Sarah Sigal and Michael Wagg.
Produced by Teatro Vivo
Design by Lynne Norledge
Cast: Natalie Ball, Will Close, Kas Darley, Houda Echouafni, Jason Eddy, Natasha Magigi, Rebecca Peyton, Mark Stevenson, Michael Wagg

Location: Starts at The Albany, Deptford and then on to many secret locations

7th – 23rd June 2012

Thursdays, Fridays and Saturdays

7.30pm

Website: http://www.teatrovivo.co.uk/Odyssey.html

Tickets: £12 / £7Concessions

Via www.thealbany.org.ukwww.thealbany.org.uk

The Albany. Douglas Way. Deptford. London SE8 4AG

Box Office 020 8692 4446


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